The Claudia Quintet will perform next in New York City on June 14th at The Theatres at 45 Bleecker presented by Search & Restore. This concert will immediately follow the 14th Annual Jazz Journalist Association Jazz Awards
(in which Claudia Quintet ringleader John Hollenbeck is nominated for Composer of the Year and Arranger of the Year).
On their fifth CD, Royal Toast, The Claudia Quintet raise a glass in salute to their regal muse with a set of new music fit for a king?—?albeit one with more refined tastes and open mind than your average monarch.
If a round table seems a wholly appropriate setting for this egalitarian ensemble (with an extra place setting this time out), theirs is as much Algonquin as Camelot, renowned for their sophisticated wit as well as their sharply-honed musical jousting.
As composer/leader John Hollenbeck points out, the title might also sound a bit “silly”?—? but there’s something in its odd incongruity that exemplifies the band’s one-of-a-kind sound.
“I like toast,” Hollenbeck explains with characteristically laconic humor, “and I noticed that if you put ‘royal’ in front of something, it seems elevated.”
The Claudia Quintet has similarly been finding the majestic in the mundane (or vice versa) for more than a dozen years. Nowhere is that more evident than on Royal Toast, where Hollenbeck began by collecting song titles found in often unlikely sources, divorcing them from their original context, and devising music inspired by these evocative phrases.
Hollenbeck’s compositions somehow conjure raucous beauty from dizzying complexity, enticing the emotions with lilting melodies or irresistible grooves while engaging the cerebral side in a surreptitious workout. The music marries jazz, new music, post-rock?—?but no laundry list of influences is quite sufficient to describe their iconoclastic sound. Suffice it to say, you can feel secure bringing your hipster nephew and your math professor along to a gig, and everyone will go home happy.
Of course, no one could pull off such a a trompe l’oreille without a well-honed ensemble, and The Claudia Quintet has, through intensive collaboration since their 1997 debut, developed a language all their own. The music can best?—?perhaps only?—?be defined by the individuals who create it?—?Hollenbeck on drums, Drew Gress (Tim Berne, Ravi Coltrane, Fred Hersch) on bass, Matt Moran (Slavic Soul Party, Mat Maneri, Ellery Eskelin) on vibraphone, Ted Reichman (Anthony Braxton, Marc Ribot, Paul Simon) on accordion, and Chris Speed (Bloodcount, Yeah No, Human Feel) on clarinet and tenor sax.
As attuned as the Quintet have become to each other, they’re each remarkably attuned to themselves, as Hollenbeck discovered while recording the CD. Bridging several of the pieces on the album are short improvised interludes in which each member plays a short improvised duet with himself?—?unbeknownst to them until the tracks were in the can. While they sound as if each side of the mirror is reacting to the other, they were actually played separately and married after the fact.
“I didn’t know if it was going to work, so I didn’t tell anybody I was doing it,” Hollenbeck admits. “And I couldn’t believe it because each one just worked fabulously. It was totally unbelievable how they breathed in the same places?—?Drew even has a rest in the same spot. I think the result is better, actually, than if I had asked them to react to their solos. That might have been a little artificial.”
The quintet is here supplemented by pianist Gary Versace, a longtime collaborator of Hollenbeck’s (including the composer’s Large Ensemble and in the Refuge Trio along with vocalist Theo Bleckmann).
“Gary and I have very similar aesthetics,” Hollenbeck says, “so what he plays is exactly what I would I be doing if I could play piano really well. Gary has a very composerly approach, so he’s very sensitive to the music and tries to make his part sound composed even when it’s not.”
The addition of Versace means that half of the band is now essentially playing percussive instruments, giving Hollenbeck more opportunity than ever to follow his polyrhythmic muse?—? which emerges most fully on the gleefully intricate title track.
Royal Toast Receives 86 on Popular Ranking Site, nd is Only Jazz CD Currently Ranked;
In Close Competition With Recent Releases by Janelle Monáe, Flying Lotus, Joanna Newsom, The National, LCD Soundsystem & Pavement.
Grammy-Nominated Drummer & Composer John Hollenbeck Is Nominated for Two Jazz Journalist Awards, Arranger of the Year & Composer of the Year, And Will Receive ASCAP Jazz Vanguard Award This June.
..:: Source: Fully Altered Media ::..