Gabriele Tranchina -//- A Song of Love’s Color – [Jazzheads, 2010]
It appears that exacting pitch is not really important in the grander scheme of things, for Gabriele Tranchina’s singing. Although it seems likely that if she really wanted to this vocalist could nail the exacting pitch of the notes themselves with perfection, Tranchina eschews the exactitude of notation to scale impossible heights of emotion. In this respect she is like a storyteller who uses lyric passages to let tales of longing and other elusive emotions unfold with the songs she sings. As a vocalist Tranchina often coaxes her voice to stretch beyond its contralto comfort zone. This is no mean feat as there appears to be no strain at all. On the contrary, Tranchina never fails to surprise with the manner in which she is able to hold onto notes higher than her normal vocal range.
Another important feature of Gabriele Tranchina’s singing is that she is able to sing with stylish facility in French, Portuguese, Spanish and English as well as in her native German. On A Song of Love’s Color Tranchina even manages to navigate through a wonderful Sanskrit chant, “Asato Maa (Sat Chit Ananda).” This, of course, has everything to do with her Germanic roots—Sanskrit and German having the same linguistic origins. Nevertheless, the haunting rendition is memorable. Her version of “Today,” seemingly written almost exclusively in a diatonic mode is also quite exquisite as the song seems perfect for her method of intonation. And this is probably Gabriele Tranchina’s main vocal strength. —Raul da Gama /LatinJazzNet.com
Go here, to read the complete review by Raul da Gama.
..:: Source: LatinJazzNet.com ::..