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Daily Archives: January 1, 2011

PDX Jazz Supports Jazz Films

01 Saturday Jan 2011

Posted by Rob Young in Concerts, Festivals & Tours, Education, Mainstream-Traditional Jazz, Modern Jazz, What's New?

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Concord Music Group, Jazz, John Zorn, Vince Guaraldi


PDX Jazz, the presenting organization of the Alaska Airlines/Horizon Air Portland Jazz Festival presented by U.S. Bank, is proud to announce the screening of four jazz documentaries in the coming weeks:

· The Anatomy Of Vince Guaraldi via the 28th REEL MUSIC FESTIVAL (presented by the Northwest Film Center)

· Two Sides of John Zorn’s Masada presented by the Oregon Jewish Museum, featuring two films: Electric Masada and Masada String Trio

· Icons Among Us: jazz in the present tense via the 2011 Alaska Airlines/Horizon Air Portland Jazz Festival presented by US Bank

See below for more information on all films, screening dates/details, etc. Continue reading →

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Sonny Rollins -][- The Definitive Sonny Rollins on Prestige, Riverside and Contemporary

01 Saturday Jan 2011

Posted by Rob Young in Classic Modern Jazz, Hard Bop (Jazz), Improvised Music, Mainstream-Traditional Jazz, What's New?

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African American, Jazz, Saxophone, Sonny Rollins

Sonny Rollins - Definitive Sonny Rollins

The Definitive Sonny Rollins on Prestige, Riverside and Contemporary comes out a few weeks ahead of Rollins’ 80th birthday on September 7, 2010. This Sonny Rollins set covers almost an entire decade, from a December 1951 session in New York for Sonny Rollins with the Modern Jazz Quartet to an October 1958 session in Los Angeles for Sonny Rollins and the Contemporary Leaders.

“That was such a significant period in the development of jazz in general, and Sonny Rollins was at the heart of all that was going on during that decade,” says Nick Phillips, Concord Music Group’s Vice President of Jazz and Catalog A&R and the producer of the Definitive series. “Just look at the Miles Davis session where he recorded `Airegin,’ `Doxy’ and `Oleo,’ for example. Those are all tunes that he penned, and all remain indelible jazz standards. That’s a whole lot of jazz history that was made on just a single day in the summer of 1954.” Continue reading →

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