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Early Praise For Fortune Songs:

“Debut album from soprano saxophonist Lovell-Smith, and I’m not sure she could’ve made a more impressive introduction. A quintet rounded out with trumpet, piano, drums, and bass. Tantalizing melodies, a deft use of dramatic tension, and tunes that nicely straddle the divide between new- and old-school jazz. I’m thrilled with this album, and happy to make it my Pick of the Week.”
Dave Sumner, eMusic

“An outstanding collection of original jazz compositions…With a playing style inspired by the vocal styles of jazz greats like Sarah Vaughn and Ella Fitzgerald, Lovell-Smith literally makes her sax sing—a style that’s perfectly complemented by the four fantastic musicians that round out the quintet.”
Christian Williams, Utne Reader (Featured in August Online Sampler)

“…dynamite debut album from newcomer Jasmine Lovell-Smith’s Towering Poppies…a chamber jazz collective with a melodic slightly astringent song-based direction…[Lovell-Smith is] A new compositional voice on the saxophone for sure going by early listens of Fortune Songs, watch out for this new name when the album hits.”
Stephen Graham, Jazzwise/Freelance (UK)

“The eight Lovell-Smith originals that make up Fortune Songs don’t overheat with hard bopping numbers…that’s a tribute of the reflective nature of these songs, opting to subtly evoke moods in a thoughtful, deliberative manner, falling into the advanced modern area of the jazz spectrum.”
S. Victor Aaron, Something Else Reviews

Jasmine Lovell-Smith’s TOWERING POPPIES, Fortune Songs

The term “Towering Poppies,” which saxophonist Jasmine Lovell-Smith chose to christen her stellar quintet, is an evocative one, conjuring images of radiant flowers reaching heavenward, bold colors against a bright sky. Those images are perfectly appropriate for the stunning sounds of Lovell-Smith’s debut CD, Fortune Songs. But for the New Zealand native, the name has a deeper, more personal meaning.

“In New Zealand we have something called ‘tall poppy syndrome,’” Lovell-Smith explains.“It’s this idea that there’s an intolerance of difference or people who excel. Other poppies in the field try and cut them down to the same height.”

With Fortune Songs, Lovell-Smith asserts her presence as a poppy unafraid to tower, showcasing the same confidence through her vividly individual voice on the soprano saxophone as she displayed in striking out from Wellington, New Zealand to New York City. “In some ways,” she says, “it’s easier to blossom and explore different parts of yourself when you go overseas and start a new life.”

The album’s title refers to Lovell-Smith’s attempt to find her fortune in a foreign country and in the competitive jazz world, but also captures the magical feeling of that life – reprised in the tarot card-inspired title “Seven of Swords.” Something of a fairy tale theme runs throughout the album, from the ethereal, Keats-inspired “Darkling I Listen” to the bright-hued “A Nest To Fly,” penned beside the lake in Prospect Park while thinking of her far-off home.

Lovell-Smith’s love for music began in Christchurch, New Zealand, where she grew up surrounded by singing. Her mother, a trained opera vocalist, and her father both sang, so the voice became Lovell-Smith’s first instrument. Her initial introduction to jazz was also through singers, with Sarah Vaughan and Ella Fitzgerald counted as early influences. Echoes of that early exposure can be heard throughout her playing on Fortune Songs, which exudes a love of strong, memorable melodies.

“I was drawn to the saxophone because of the similarity between it and the voice,” Lovell-Smith says, “that connection to breath and the physicality of the sound.” After taking up the saxophone in High School, Lovell-Smith relocated to Wellington to study music. She concentrated at first on the tenor, more recently switching her focus to the soprano, still something of a rarity as a primary axe. “One of the things I like the most about the soprano is that it’s an unfamiliar voice out of the saxophones,” she says. “It’s been less explored, so it feels lighter and freer in that way.”

It’s also lighter in a more literal sense, which was one reason Lovell-Smith chose to concentrate on the soprano when she left Wellington and began traveling. Heading to North America, she spent several months exploring the country before arriving in New York. Initially in town to participate in Ralph Alessi’s School of Improvised Music, she decided to stay in New York City on a more long term basis. The next chapter will see her moving to Connecticut to undertake a Master of Arts in Composition at Wesleyan University, studying under Anthony Braxton, among others.

Release Date: August 14, 2012

Official CD Release: Tuesday September 18, 9 PM, Korzo, Brooklyn, NY

::: SOURCE: Paintbox Records :::