Paradoxical Frog -][- UNION – [Clean Feed Records, 2012] –

Tags

Clean Feed Records, estrugamng.com, KRIS DAVIS, ngrid Laubrock, Paradoxical Frog, Tyshawn Sorey

Paradoxical Frog, UNION

Paradoxical Frog -][- UNION –Mp3– [Clean Feed Records, 2012]

This exciting trio sees drummer Tyshawn Sorey, pianist Kris Davis and reedist Ingrid Laubrock, all extremely thoughtful and engaging composer-improvisers, join forces.

The group started at a session Kris Davis called. They played for about and hour and Tyshawn Sorey suggested to turn it into collaboration. They have developed an almost telepathic way of interacting really deconstruct and improvise with the sometimes long and involved compositions. Everything is possible and each one of them is kept on his/her toes all the time.

All three musicians contribute their own unmistakable compositions to the group’s sound. “AllAboutJazz” has described their unique interplay as “a taut set, as if they’d agreed to avoid the easy way to make a fire and instead rubbed sticks telekinetically”. -[::: estrugamng.com :::]-

Angelica Sanchez Quintet -][- WIRES & MOSS – [Clean Feed Records, 2012] –

Tags

Angelica Sanchez, Avant-Garde, Clean Feed Records, Composer, Drew Gress, Educator, Marc Ducret, Pianist, Tom Rainey, Tony Malaby

“In her piano playing as well as her compositions Angelica Sanchez seeks out the lyrical heartbeat within any avant-garde storm.” – The New York Times/Chinen

Angelica Sanchez Quintet, WIRES & MOSS

Angelica Sanchez Quintet -][- WIRES & MOSS –Mp3– [Clean Feed Records, 2012] –

It’s no longer possible, today, to exclude the name of pianist and composer/improviser Angelica Sanchez when discussing the New York jazz scene. With her fluid, loose and lyrical style, contrasting with an energetic and avant-gardist approach, she seems to be at the center of a hurricane, dealing with poetic feelings and magmatic chaos. Somehow combining the influences of Herbie Hancock and Cecil Taylor, in her previous solo album, “A Little House”, Sanchez used a John Cage favorite instrument, the toy piano. Not to play children lullabies, but to introduce ironic and ambiguous shadows in her music, reminiscent of her memories of the horror movies she saw in a younger age, with soundtracks using that tool to maximum effect. If the toy piano was, then, her ghost-in-the-machine, now the same role is performed by Marc Ducret’s guitar.