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Tag Archives: Hailey Niswanger

Hailey Niswanger -][- THE KEEPER – [Calmit Productions, 2012 | Review] –

16 Wednesday May 2012

Posted by Rob Young in Improvised Music, Jazz, Music Reviews, New Music, Straight Ahead Jazz, What's New?

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Darren Whitfield, Hailey Niswanger, Mark Whitfield Jr., Max Moran, Saxophones, Takeshi Ohbayashi

Hailey Niswanger, THE KEEPER

Hailey Niswanger -][- THE KEEPER –Mp3– [Calmit Productions, 2012 | Review] –

In recent years, through the wavering paradigm shift in the music industry younger jazz musicians it seems have kept their feet to the fire and patiently persevered to achieve their lifelong dream. These fearless titans are paramount in their quest to create an infinite and diverse platform globally by composing, playing and recording original music.

At 19, saxophone virtuoso and Houston, TX native Hailey Niswanger (pronounced “NICE-wonger”) debuted in 2009 with the impressive outing titled “CONFEDDIE.” I’m sure fans waited it seems a lifetime for Hailey to return with her highly anticipated release entitled “THE KEEPER” her sophomore offering with Calmit Productions. Continue reading →

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Hailey Niswanger -][- THE KEEPER -[Calmit Productions, 2012] –

27 Friday Apr 2012

Posted by Rob Young in Biography, Improvised Music, Jazz, Modern Jazz, New Music, Straight Ahead Jazz, What's New?

≈ Comments Off on Hailey Niswanger -][- THE KEEPER -[Calmit Productions, 2012] –

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entertainment, Hailey Niswanger, Music, Saxophone

Hailey Niswanger, THE KEEPER

Hailey Niswanger -][- THE KEEPER -[Calmit Productions, 2012] –

Hailey Niswanger created an indelible impression in the jazz world with the release of her 2009 debut, Confeddie. Then 19, the saxophonist was even the subject of an enthusiastic Wall Street Journal profile by veteran jazz critic Nat Hentoff. The headline read: This Teenager Has Got It. Now 22, freshly graduated from the Berklee College of Music and newly residing in New York City, the alto and soprano saxophone dynamo is preparing to release her second CD, The Keeper, on April 24. Continue reading →

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