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Tag Archives: Ron Jackson

Greg “Organ Monk” Lewis -][- ORGAN MONK: Uwo in the Black – [Greg Lewis, 2012 | Review] –

13 Friday Jul 2012

Posted by Rob Young in Flux Music Essentials, Improvised Music, Jazz, Music, Music Reviews, New Music, Soul Jazz, What's New?

≈ Comments Off on Greg “Organ Monk” Lewis -][- ORGAN MONK: Uwo in the Black – [Greg Lewis, 2012 | Review] –

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Cindy Blackman Santana, Greg “Organ Monk” Lewis, Jazz Promo Services, Nasheet Waits, Reginald Woods, Ron Jackson

Greg Lewis, ORGAN MONK. Uwo In The Black

Greg “Organ Monk” Lewis -][- ORGAN MONK: Uwo in the Black –Mp3– [Greg Lewis, 2012 | Review] –

Self-taught organist Greg “Organ Monk” Lewis’ ambitious new recording daringly unearths these marvelous stones with his groundbreaking interpretations of ten classics by jazz pianist, innovator and composer Thelonious Monk on his sophomore album “Organ Monk: Uwo in the Black.” At a glance, “Uwo” in the North African Nubian dialect signifies the number two in their culture, with that said the New York native broaden voice augments through four distinctive originals which undeniably compliments this homage paid to the iconic renaissance man Thelonious Monk. Continue reading →

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New Release: Greg Lewis – Organ Monk: Uwo In the Black

21 Thursday Jun 2012

Posted by Rob Young in Concerts, Festivals & Tours, Contemporary Jazz, Independent Music, Jazz, Music, New Music, Press Release, What's New?

≈ Comments Off on New Release: Greg Lewis – Organ Monk: Uwo In the Black

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Greg Lewis, Jazz Promo Services, Keyboardist, Nasheet Waits, Organ, Reginald R. Woods, Ron Jackson

(Self Produced) Greg Lewis – Hammond Organ, Ron Jackson – Guitar, Reginald R. Woods – Tenor Saxophone, Nasheet Waits – Drums & Cymbals

Street Date September 1, 2012

Greg Lewis, ORGAN MONK. Uwo In The Black

The second outing by Greg Lewis, Organ Monk: Uwo In the Black, builds upon the success of the first call New York keyboardist’s critically acclaimed debut date Organ Monk. Volume Two of a proposed trilogy of discs (uwo signifies the number two in North African Nubian dialect) exploring the music of Thelonious Monk, Lewis expands upon his original concept here, adding the tenor saxophone of Reginald Woods to the powerful mix supplied by his Hammond C3 organ, the guitar of regular bandmate Ron Jackson and drums of longtime colleague Nasheet Waits (sitting in the seat previously occupied by Cindy Blackman-Santana), while filling out the program of ten Monk melodies with four of his own inspired compositions. Continue reading →

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