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Tag Archives: SUNNY JAIN

Red Cat Publicity UPCOMING EVENTS:

19 Saturday Jun 2010

Posted by Rob Young in Concerts, Festivals & Tours, Latin Jazz, Modern Jazz, New Music, What's New?

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Aruán Ortiz, Bass, Drums, Owen Howard, Percussion, Piano, Roland Vazquez, Rufus Reid, Samuel Torres, SUNNY JAIN

Brooklyn Jazz Underground Records Artists

Sunny Jain - Taboo

Sunny Jain Collective @ Smalls
Thursday, June 24, 9 PM – Midnight
Sunny Jain – drums
Donny McCaslin – saxophone
Nir Felder – guitar
Gary Wang – bass

Sunny Jain’s NEW CD Taboo, available on BJURecords now …

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BROOKLYN JAZZ UNDERGROUND RECORDS To Release ‘TABOO,’ From SUNNY JAIN

01 Tuesday Jun 2010

Posted by Rob Young in Biography, Concerts, Festivals & Tours, Latin Jazz, Modern Jazz, New Music, Nu-Voices

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Drum, Jazz, SUNNY JAIN

Sunny Jain - Taboo

“this release is equally thought provoking, riveting, and engaging.”- Mark F. Turner, All About Jazz

* CD Release Celebration/Concert for Taboo June 10th @ Joe’s Pub 425 Lafayette Street, NYC, 10-11 PM, TKTS are $15 *

Featuring:
Drummer/Composer – Sunny Jain
Pianist –Marc Cary
Guitarist –Nir Felder
Bassist –Gary Wang
and – Vocalists Achyut Joshi, Sheetal Karhade & Shayna Steele

TABOO Features Sunny Jain – (drums, dhol), Marc Cary (piano), Nir Felder (guitar), Gary Wang (acoustic bass), Achyut Joshi (vocals, tracks 1, 4), Sheetal Karhade (vocals, tracks 2, 4), Samita Sinha (vocals, track 6), Shayna Steele (vocals, track 3), Sachal Vasandani (vocals, track 5), YaliniDream (spoken word, track 1)

Sunny Jain is a leading voice in an emerging movement of South Asian-American jazz musicians who bring together America’s greatest original art form and the ancient and modern sounds of their cultural heritage. Touted as an Indian-American trailblazer in establishing the contemporary music of Indo-Jazz, Jain has released five CD’s since 2002 that have received international acclaim for their “groundbreaking synthesis” (Coda Magazine). With his new recording on Brooklyn Jazz Underground Records, Taboo, Jain “stakes out singular turf in this 21st Century world of cross-pollinating musical traditions” (Signal to Noise). Continue reading →

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